Magic, Clown Magic, and Magic in Clowning - What is the Distinction?




Within this post, I'd prefer to make some brief comments about the performance of magic in clowning -- exactly where it is suitable, and exactly where it's not. For instance, it could be out of character for any bumbling clown to all of a sudden put on a critical demeanor, and together with the aid of a lovely assistant, saw a woman in half, or levitate her, or trigger her to mysteriously vanish & reappear. Any of these will be totally out of character for virtually any clown.



However, it could be perfectly in character to get a him to attempt to be the suave magician, and be revealed for the charlatan he is, either by his own bungling or that of his assistant (likely an auguste or tramp clown). Since the spectacle de magie en francais is, by definition, a bungler, this will be fine, and totally in character. In fact, once having been exposed/failed, it would be fine for him to successfully complete the magic (with the help of the audience, a volunteer from the audience, or perhaps with a clown assistant).







There is another way for the clown to perform magically, however. Something that we forget too often is that the clown is, himself, a magical character, a 'toon come to life. Whereas he cannot perform magic in character (most of the time; if it's in character for your clown to successfully perform magically, do so! No one complains that a clown juggler can successfully juggle, or that a clown balloon artist can twist latex into wonderful shapes without them popping), magic can (and perhaps should) happen to the clown, without his even being aware of it. As an example, it is perfectly in character for any clown assistant to a magician to be handed three rings, only to have them magically link in his hands - using the clown having a befuddled expression as to how this could have happened!



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Likewise, why not have the clown pull out a handkerchief to hand to someone (or blow his own nose), only to give it away/leave it lying and pull out a second from the same pocket (followed by a third, fourth, etc.)? Why not have things magically multiple, change color, disappear -- together with the clown acting nonchalant, as though this is an everyday occurrence?







Now, if your clown doesn't perform magic, that's fine -- not every clown should, any more than every clown should twist balloons, use puppets, or have the same make-up as every other clown. But if your clown does perform magically, why not broaden our horizons a little, and truly portray a magical clown.

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